Octatonic Chords
495 Eight Note Scales
Segmenting Bebop Scales with Approach Notes
Segmenting Bebop Scales 124 Ascending and Descending Permutations
Bebop Scales 124 Bebop Scales and Their Application
Harmonic and Melodic Equivalence V14H Two Triad Pair
Harmonic and Melodic Equivalence V14G Two Triad Pair
Legacy Products
Harmonic and Melodic Equivalence V14F Two Triad Pair
Harmonic and Melodic Equivalence V14E Two Triad Pair
Harmonic and Melodic Equivalence V14D Two Triad Pair
Harmonic and Melodic Equivalence V14C Two Triad Pair
Harmonic and Melodic Equivalence V14B Two Triad Pair
Harmonic and Melodic Equivalence V14A Two Triad Pair
Harmonic and Melodic Equivalence V17 Two Triad Pair
Harmonic and Melodic Equivalence V16 Two Triad Pair
Harmonic and Melodic Equivalence V11F Two Triad Pair
Harmonic and Melodic Equivalence V11E Two Triad Pair
Harmonic and Melodic Equivalence V11D Two Triad Pair
Harmonic and Melodic Equivalence V11C Two Triad Pair
Harmonic and Melodic Equivalence V11B Two Triad Pair
Harmonic and Melodic Equivalence V11A Two Triad Pair
Harmonic and Melodic Equivalence V10E Two Triad Pair
Harmonic and Melodic Equivalence V10D Two Triad Pair
Harmonic and Melodic Equivalence V10C Two Triad Pair
Harmonic and Melodic Equivalence V10B Trichord Pair
Harmonic and Melodic Equivalence V10A Trichord Pair
Harmonic and Melodic Equivalence V9D Trichord Pair
Harmonic and Melodic Equivalence V9C Trichord Pair
Harmonic and Melodic Equivalence V9B Trichord Pair
Harmonic and Melodic Equivalence V19I Triad Pair
Harmonic and Melodic Equivalence V9 Two Triad Pair
Harmonic and Melodic Equivalence V19H Two Triad Pair
Harmonic and Melodic Equivalence V19G Two Triad Pair
Harmonic and Melodic Equivalence V19F Two Triad Pair
Harmonic and Melodic Equivalence V19E Two Triad Pair
Harmonic and Melodic Equivalence V19D Two Triad Pair
Harmonic and Melodic Equivalence V19C Two Triad Pair
Harmonic and Melodic Equivalence V19B Two Triad Pair
Harmonic and Melodic Equivalence V19A Two Triad Pair
Harmonic and Melodic Equivalence V8 Two Triad Pair
Harmonic and Melodic Equivalence V3 Two Triad Pair
Harmonic and Melodic Equivalence V7 Two Triad Pair
Harmonic and Melodic Equivalence V6 Two Triad Pair
Harmonic and Melodic Equivalence V5 Two Triad Pair
Harmonic and Melodic Equivalence V4 Two Triad Pair
Harmonic and Melodic Equivalence V15 Two Triad Pair
Harmonic and Melodic Equivalence V21A Two Triad Pair
Harmonic and Melodic Equivalence V2 Two Triad Pair
Harmonic and Melodic Equivalence V1 Two Triad Pair
Pitch Class Set Improvisation Étude Courses
Pitch Class Set Theory Courses
Pitch Class Set Theory and Practice Courses
Applying Pitch Class Sets To Improvisation Series
Practice Perfect Applied Slash Chord Ear Training V3
Practice Perfect Applied Slash Chord Ear Training V2
Practice Perfect Applied Slash Chord Ear Training V1
Practice Perfect Applied Jazz Standard Ear Training V3
Practice Perfect Applied Classical Ear Training Bach Chorale Five BWV 267
Practice Perfect Applied Classical Ear Training Bach Chorale One BWV 269
Practice Perfect Applied Bossa & Samba Ear Training V2
Practice Perfect Applied Jazz Standard Ear Training V1
Practice Perfect Applied Jazz Ear Training V3 Rhythm Changes Ear Training
Practice Perfect Applied Jazz Ear Training V2
Practice Perfect Applied Jazz Ear Training V1
Practice Perfect Applied Ear Training Volume Ten
Practice Perfect Applied Ear Training Volume Nine
Practice Perfect Applied Ear Training Volume Eight
Practice Perfect Applied Ear Training Volume Seven
Practice Perfect Applied Ear Training Volume Six
Practice Perfect Applied Ear Training Volume Five
Practice Perfect Applied Ear Training Volume Four
Practice Perfect Applied Ear Training Volume Three
Practice Perfect Applied Ear Training Volume Two
Practice Perfect Applied Ear Training Volume One
Long Line Rhythm® Feel Time Dont Count Time
Direct Application Ear Training Harmonic Major Modes
Pure Country Ear Training Direct Application Aural Comprehension
Modal Sequencing -Three Note for All Instrumentalists
Modal Sequencing -Two Note for All Instrumentalists
013 Hexatonic Études: Pitch Class Set Exercises for Dominant 7th Key Center
Key Note Recognition Voice Ear Training
Rhythms Volume One
Improvisation Digital Bundle One Jam Tracks
Rhythms Volume Two
Rhythms Volume Three
Set Theory for Improvisation Ensemble Method: Hexatonic 027 016
New York Guitar Method Primer Book One
Set Theory for Improvisation Ensemble Method: Hexatonic 027 027
Sonic Resource Guide
New York Guitar Method Primer Book Two
New York Guitar Method Primer Ensemble Book Two
Rhythms Volume Four
New York Guitar Method Volume One
New York Guitar Method Ensemble Volume One
New York Guitar Method Volume Two
New York Guitar Method Ensemble Volume Two
Modal Chromatic Pitch Class Set Chord Voicings
Modal Pitch Class Set Chord Voicings
Applying Pitch Class Set Chord Voicings to Traditional Harmony
Applying 013 Chord Voicings-Application of Pitch Class Set Theory to Traditional Harmony
Symmetrical Trichord Pairs
Trichord Sweep Pairs Guitar Instrumentalist Sweep Arpeggios
Rhythms Volume Five
Rhythms Volume 6 Quintuplets
Rhythms Volume 7 Sextuplets
Rhythms Volume 8 Septuplets
Rhythms Volume 9 Mixed Duplet and Quintuplets
Rhythms Volume 10: Duple and Sextuplets
One Minute Lesson Technique
Rhythms Volume 11: Duple and Septuplets
One Minute Lesson Phrasing
Rhythms Volume 12 Duple and Tuplets
One Minute Lesson Harmony
Country Jam Tracks
Jam Tracks Volume One
Jam Tracks Volume Two
Jam Tracks Volume Three
Jam Tracks Volume Four-Harmonic Major Modes
Doing Time with the Blues Volume One
Doing Time with the Blues Volume Two
Doing Time with 32 Bars Volume One
Doing Time with 32 Bars Volume Two
Time Transformation
