Time Rhythm Guided Tour
The Time Rhythm Guided Tour gives you an understanding of the books that Muse-Eek.com has created to help students master various aspects of time and rhythm. Time and Rhythm books publishing by Muse Eek Publishing cover many aspects of rhythm and time. Muse Eek believes that a student needs to practice time and rhythm (and for that matter everything musical) in various “contexts” before they can truly master certain aspects of this crucial music element. You will find many innovative and unique courses in this section of the Muse Eek website and each will be explained as well as giving you an order in which to tackle each course. It is highly recommended that you contact Mr. Arnold via email to get his recommendation on how to structure your practice time with these books. Please include the amount of time you have to dedicate to practicing each day.
You will see triangles next to the Beginning, Intermediate and Advanced Level sections. Click on the triangle and you will find information about the recommended courses.
While there are three sections Beginning, Intermediate and Advanced think of these subsections as the “basic” courses you need to get through to at least have a basic ability with rhythm. There are many other courses that will then be discussed which assume you have worked through at least the intermediate level course.
There are a few principles of time and rhythm that should be understand from the beginning. At the earliest possible time in your practice history you should start to feel time using larger units of time. For instance, rather than having a metronome clicking on every beat have it click on every other beat or even larger units of time. While this may seem like a small distinction it is not. The way you feel time will determine all of the following:
Muse Eek has two tools for helping you get stated with this concept of feeling time as a larger pulse. First there is the MetroDrone which helps you feel larger pulses but also is great as an ear training companion because it has a drone incorporated which allows you to always be in a key center as you practice. It is also available in the MetroDrone App. It is important to also read the Long Line Rhythm book because this gives you information on how to use the MetroDrone as well as videos so you can see direction applications of these principles. All Intermediate to Advance students should be using these two tools if they want to achieve advanced skills in rhythm and time.
The Big Metronome should also be mentioned at this point. This is a dedicated course in develop an sense of larger beats within music. If gives you step by step instructions and many exercises to apply the concept of feel time within a larger pulse. It is meant for intermediate to advance students.
Throughout this page and the books that are discussed you will hear about the idea of playing on 4 metric levels. Music is usually written on one of four metric levels. An super basic example would be a piece of music written with:
Various styles of music are written on the four metric levels so it’s important that you can read on all four of these levels.
Just a footnote that there are actually unlimited number of metric levels once you consider superimposing one time over another.
If you are either just getting started learning music or know you need to get your rhythmic ability together as far a feeling, reading or playing various rhythms then the Rhythm Primer would be the best book to start your study. This book gives you simple rhythms on four metric levels with detailed instructions for each level as well as midi files so you can check your accuracy at any tempo. This study should take about 3 months to finish doing 3 or 4 pages of rhythms a day. If you are a total beginner this could take a longer period of time.
If you are either just getting started learning music, how to read music, and understand all the basics then the Rhythm Primer is the perfect book. It gives you the following:
You should also work on the first level of Rhythm Ear Training so that you can start to recognize rhythms when you here them. It is also a good idea to get the Rhythm Ear Training Video Course because this gives you crucial information on the types of music that use various rhythms. This helps you make sense of what types of rhythms and the metric level used by various styles of music.
After Rhythm Primer you have the option to move on the Rhythm Primer Volume Two which gives you the same types of rhythm exercises but in a 3/4 time signature. You could also work on Rhythm Primer Volume Two in conjunction with the books listed in the intermediate student book list.
Please also note that you should at least read the information about the MetroDrone and the Long Line Rhythm courses so that you understand those principles in general. A beginning student can start with the MetroDrone but it might be good to wait a few weeks before starting practice with it because you have a big learning curve with all the basics of rhythm to get through first.
This is the level for the following types of students:
All intermediate students should use the following courses:
Specific information on each course. See links for full explanation:
First thing you might notice if you have read the Beginners section on this page is that I’ve listed Rhythm Primer in both Beginning and Intermediate sections. Any rhythm can be difficult if it is read extremely slow or extremely fast. An intermediate student will work at playing the four metric levels at various tempos. Directions are in the book.
After Rhythm Primer you have the option to move on the Rhythm Primer Volume Two which gives you the same types of rhythm exercises but in a 3/4 time signature. You could also work on Rhythm Primer Volume Two in conjunction with the books listed in the intermediate student book list.
Please also note that you should at least read the information about the MetroDrone and the Long Line Rhythm courses so that you understand those principles in general. A beginning student can start with the MetroDrone but it might be good to wait a few weeks before starting practice with it because you have a big learning curve with all the basics of rhythm to get through first.
In most cases I find that students that think they are at an advanced level still need work on the following books. Volume One and Volume Two because they are unable to play these exercises at either a 1/2 note equals 120 BPM on 2 and 4 or for Volume Two at a quarter equals 120 BPM. If that is a problem then:
Work with Rhythms Volume One and Rhythms Volume Two to master those rhythms first
All Advanced Level students should use the following courses:
Specific information on each course. See links for full explanation.
Many times advanced students are looking for specific skills. If you don’t find what you are looking for send us an email with a description of your needs and we will see if we have anything for you
There are some additional courses that are mostly used by advanced students that should also be mentioned:
Obviously one of the goals with learning rhythms is to combine it with notes. Muse Eek has two courses that are great for student at any level.
As you can see Muse Eek Publishing Inc. has a very large scope of books to help you with everything from basic rhythms to super advanced studies. Rhythm is one of the most overlooked aspects of playing music but is usually the cause of you “not getting the gig.” You can play fast and cool interesting melodies but it they aren’t played in time and with a good feel you will not be successful as a professional musician. Please take rhythm seriously it not only helps you play better but there are so many tangible and intangible assets you will gain from having a good rhythm sense.
You might find the “Music Education Genealogy Chart” located on Bruce Arnold’s artist website interesting. You will clearly see the historic progression of pedagogy that is the basis for Muse Eek Publishing Products. Great musicians throughout history have been studying the ideas presented by Muse-eek.com which derives its content from a a lineage that stretches back to Scarlatti!
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