Harmonic and Melodic Equivalence V11B Trichord Pair

This course examines a two 3 note pair that works over a diminished scale This is the 2nd of 6 courses in the V11 series that deal with a three note pair that works with two 026 (whole step and tritone) pitch class sets. This two 3 note pair is an excellent way to find fresh new melodies using six notes of a diminished scale. I often use this combination over a dominant or minor major 7 chord. It should also be mentioned that the 026 pairs that are covered in the V11 series are some of the most versatile combinations to use for harmonic reharmonization and therefore I feel these are must own books in the Harmonic and Melodic Equivalence Series.

Two Trichords

Two 3 note pairs and also be called “two trichords.” Two trichords which unlike a two triad pair are not build in thirds. The term was coined by Milton Babbitt to distinguish a three note collection from a triad built in 3rds. Trichords form a sound that is very useful to a modern improviser both as melodic and harmonic content. Through the Harmonic and Melodic Equivalence Series these trichords are studied in-depth. I think you will find them to be a welcome addition to your improvisational palette.

Harmonic and Melodic Equivalence V11B Trichord Pair

Status: In stock, Digital book is available for immediate access.

Background Information on a Two Triad Pair or Two Trichords

“Harmonic and Melodic Equivalence Trichord Pair” is a series of books that will help you to develop many different musical skills simultaneously. The source materials for this book are exercises that contain two 3 note groupings which are not built in thirds. First a little background, “two triad pairs” consist of two 3 note groupings that are built in 3rds. These combinations typically use a major, minor, diminished or augmented triad and when grouped into a collection of two are called a “two triad pair.”

A trichord pair on the other hand takes any of the 9 other possible 3 note combinations and builds pairs using these pitch class sets. These include 012, 013, 014, 015, 016, 024, 025, 026 and 027. Any three note group can be referred to as a “trichord” but is more commonly used when speaking of a three note grouping not built in thirds. Trichords can also be referred to as non-tertial two triad pairs.

The exercises found in this course use many different types of harmonic and melodic ideas that can be superimposed over common chord progressions, scales and other musical situations. This course concentrates on using a two 026 pitch class sets. An example of that would be C, D, F# and F, A, B. As you probably notice these six notes form a diminished scale. While this combination is great for playing over dominate chords and is also great as a tool to superimpose chord changes. The course contains many ideas on how to implement these concepts. There are also many charts included in this course to show you how these notes function in all 12 keys.

Unique Aspect of These Two Trichord Books

The two trichord books are pretty unique to the Muse Eek Publishing Inc. catalog. The various non-tertial two triad pairs found in this collection are both beautiful and highly applicable to modern improvisation. They work well as a melodic and harmonic device and Mr. Arnold has written a body of work through both recordings, videos and books dedicated to these non-tertial combinations. As with all of Mr. Arnold’s books there is a sharp focus on the ear training and the “Harmonic and Melodic Equivalence Two Trichord” Series is no different. Each exercise or chart is always relating back to the idea of how you would hear these notes within a key center. This book includes a section where the two trichord pair are put into common chord progressions but more importantly shows you how these progressions relate to the overall key center. Learning music based on how your hear it rather than relating everything to a chord by chord approach is the rosetta stone of music. This is the secret to the previously undecipherable mystery of understanding music from an aural perspective.

Harmonic and Melodic Equivalence Series

This course is part of the Harmonic and Melodic Equivalence Series which explores over 50 different either trichord pairs or two triad pairs. To see all volumes follow the link above to explore each volume and hear examples from each course as well as finding links to compositions that I’ve written using each combination.

Harmonic and Melodic Equivalence Exercises

This course is divided up into two sets of exercises written in treble and bass clef. The 1st set of exercises gets gradually harder but also more musical. Depending upon your musical skills you can start anywhere you want but for beginners I would recommend starting from the 1st exercise of the five. The 2nd set of exercises are called “Atomic Scales.” These exercises are a technical exercise that really helps you to learn these ideas but also sound great as a melody right off the bat. There are 6 different types of “Atomic Scales” exercises in this course. You don’t have to play every exercise in every key. But doing this will greatly increase the likelihood of you using it in real music in the future. Below is a listing of the exercises found in this course:

  • Closed position studies.
  • 1st inversion studies.
  • 2nd inversion studies.
  • Random combinations of closed position along with 1st and 2nd inversion.
  • Random combinations of closed position along with 1st and 2nd inversion with rhythmic displacement.
  • Atomic Scales Exercise 1
  • Atomic Scales Exercise 2
  • Atomic Scales Exercise 3
  • Atomic Scales Exercise 4
  • Atomic Scales Exercise 5
  • Atomic Scales Exercise 6

Explanation of 2nd Set of Exercises in Harmonic and Melodic Equivalence V11B Trichord Pair Course

Below is an explanation for each set of the 6 different atomic scale exercises found in this course. Three octave sequences that move back and forth between the two 3 note groups are presented in six different configurations. These exercises are highly melodic and can be used verbatim as melodies when soloing. If we thought of the three notes as A,B,C then there would be six different ways to combine these notes. i.e. ABC, ACB, BAC, BCA, CAB and CBA. All exercises include MP3s as well as midi files so that you can hear and play these exercises at any tempo as well as versions in all 12 keys.

  • Three octave sequences that move back and forth between the two 3 note groups in the ABC sequence
  • Three octave sequences that move back and forth between the two 3 note groups in the ACB sequence
  • Three octave sequences that move back and forth between the two 3 note groups in the BAC sequence
  • Three octave sequences that move back and forth between the two 3 note groups in the BCA sequence
  • Three octave sequences that move back and forth between the two 3 note groups in the CAB sequence
  • Three octave sequences that move back and forth between the two 3 note groups in the CBA sequence

1st Set of Exercises in Harmonic and Melodic Equivalence V11B Trichord Pair Course

Here are a few examples from the 1st set of exercises. A complete list of the different types of exercises can also be found below.

Closed Position Exercise

  • 01-026-026-Degree-1-2-4-b5-6-7-Closed-Position-Key-C-Harmonic-and-Melodic-Equivalence-V11B-by-bruce-arnold-for-muse-eek-publishing-inc

MP3 example

1st Inversion Exercise

  • 02-026-026-Degree-1-2-4-b5-6-7-1st-Inversion-Key-F-Harmonic-and-Melodic-Equivalence-V11B-by-bruce-arnold-for-muse-eek-publishing-inc

MP3 example

2nd Inversion Exercise

  • 03-026-026-Degree-1-2-4-b5-6-7-2nd-Inversion-Key-Bb-Harmonic-and-Melodic-Equivalence-V11B-by-bruce-arnold-for-muse-eek-publishing-inc

MP3 example

Random combinations of closed position along with 1st and 2nd inversion.

  • 04-026-026-Degree-1-2-4-b5-6-7-Random-Inversions-Key-Eb-Harmonic-and-Melodic-Equivalence-V11B-by-bruce-arnold-for-muse-eek-publishing-inc

MP3 example

Random combinations of closed position along with 1st and 2nd inversion and rhythm permutation

  • 05-026-026-Degree-1-2-4-b5-6-7-Random-Inv-Rhy-Key-Ab-Harmonic-and-Melodic-Equivalence-V11B-by-bruce-arnold-for-muse-eek-publishing-inc

MP3 example

2nd Set of Exercises in Harmonic and Melodic Equivalence V11B Course

Here are a few examples from the 2nd set of exercises.

Atomic Scales 1st Rotation

  • 01-026-026-Degree-1-2-4-b5-6-7-Atomic-Scale-Ex-1-Key-C-Harmonic-and-Melodic-Equivalence-V11B-by-bruce-arnold-for-muse-eek-publishing-inc

MP3 example

Atomic Scales 2nd Rotation

  • 02-026-026-Degree-1-2-4-b5-6-7-Atomic-Scale-Ex-2-Key-F-Harmonic-and-Melodic-Equivalence-V11B-by-bruce-arnold-for-muse-eek-publishing-inc

MP3 example

Atomic Scales 3rd Rotation

  • 03-026-026-Degree-1-2-4-b5-6-7-Atomic-Scale-Ex-3-Key-Bb-Harmonic-and-Melodic-Equivalence-V11B-by-bruce-arnold-for-muse-eek-publishing-inc

MP3 example

Atomic Scales 4th Rotation

  • 04-026-026-Degree-1-2-4-b5-6-7-Atomic-Scale-Ex-4-Key-Eb-Harmonic-and-Melodic-Equivalence-V11B-by-bruce-arnold-for-muse-eek-publishing-inc

MP3 example

Atomic Scales 5th Rotation

  • 05-026-026-Degree-1-2-4-b5-6-7-Atomic-Scale-Ex-5-Key-Ab-Harmonic-and-Melodic-Equivalence-V11B-by-bruce-arnold-for-muse-eek-publishing-inc

MP3 example

Atomic Scales 6th Rotation

  • 06-026-026-Degree-1-2-4-b5-6-7-Atomic-Scale-Ex-6-Key-Db-Harmonic-and-Melodic-Equivalence-V11B-by-bruce-arnold-for-muse-eek-publishing-inc

MP3 example

TOC in the Harmonic and Melodic Equivalence V11B Trichord Pair Course:

  • How to Use This Course
  • Harmonic/Melodic Possibilities of an 026 and 026 combination.
  • Chord Possibilities of this 026 and 026 combination
  • Two triad pairs rotations Starting on every eighth note
  • How to think of these an 026 and 026 combinations that are used in this course
  • The 026 and 026 combination Daily Exercise-Atomic Scales
  • Thinking of these two triad pairs as applications to Modes
  • Thinking of these two triad pairs as One Scale
  • C, D, F# and F, A, B as One Scale in All Keys
  • Forming chord progressions with two triad pairs
  • Forming extended chord progressions with two triad pairs
  • Choosing chord progressions from two triad pairs
  • Additional practice ideas

Get Harmonic and Melodic Equivalence V11B Trichord Pair Today!

Status: In stock, Digital book is available for immediate access.

Additional Information for Harmonic and Melodic Equivalence V11B Trichord Pair:

  • Digital Edition 978-1-59489-261-5
  • One 14 page PDF explaining exercises, 5 different types of exercises, 328 pages of exercises in PDF format in treble and bass clef.
  • Information and examples of forming extended chord progressions with this two triad pair.
  • MP3’s and Midi files for all exercises.
  • 12 MP3s from Tuba MetroDrone®

What people are saying:

OK! This is a special book… Not only is this a useful combination for 7th and -∆7 but the number of chord progressions that you can form with these two 026s is incredible. This goes in my must learn collection of musical ideas! J. Ogland

So far this book is my favorite in thw whole Harmonic and Melodic Equivalence Series. This is such a great sound. I love the fact that it’s part of a diminished scale yet doesn’t sound diminished. I can directly use this in my blue/rock playing as well as my budding jazz chops H. Dediar

Well this combination really turned my head around. The number of ways you can take these two 026s and make extended dominant progressions is out of this world. I had no idea this even existed! I have to say this volume really opened my eyes to the hipness of 026s H. Newman

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About Muse Eek

Muse-Eek Publishing Company is a publishing house with a broad focus on music education. Muse-Eek also publishes fine art and poetry books, and has its own record label, Muse-Eek Records. Our online presence, Muse-Eek.com specializes in the publication of music workbooks, video courses and sound and video recordings that teach the foundation of good musicianship through groundbreaking and innovative methods along with traditional methods that have been taught for centuries. These historic methods date back through centuries of great musicians and educators. To see these interesting relationship please see Bruce Arnold's Music Education Genealogy Chart which tells you a lot about the where many of his educational ideas took root and some of the educational pillars that are evident throughout the books you find on this website. The Muse-Eek Records catalogue contains a diverse selection of music much of it by Bruce Arnold in collaboration with some of today's best players in classical, jazz, rock and avant-garde music. These are available in CD, DVD and mp3 formats. We believe in a working relationship with our music education customers; they are free to interact with the author after purchasing a book to help them through any material they don’t understand or which they need further clarification. We also have a member's area which contains a wealth of free information to help a student understand music at a deeper level and access additional files for our books. Many of our books offer cutting edge ideas regarding ear training, guitar technique, rhythm and time. These methods have a proven track record. Our main author Bruce Arnold has taught at some of the most prestigious music schools in the world, including Princeton, Dartmouth, Berklee College of Music, New England Conservatory, The New School and NYU. Along with Mr. Arnold's publications on the Muse-eek.com website he has also written books and appeared in educational DVDs for MelBay and Truefire. Over the years Mr Arnold has used his experiences with his students to develop a program that can elevate a musician's ability to world class caliber. If you have questions about any of our books or recordings please send us an email. Along with general questions about either our record label or our publishing company we also welcome questions to help a student choose the proper materials to reach their goals. We have over 300 products to help you learn any style of music and to develop your musicianship to its peak. We also make recommendations for practice schedules for students who use our methods to get the most out of their study time. This, along with personal interaction with Bruce through email, nurtures the student's ability through a closely monitored situation, ensuring there is no wasted time or misunderstanding.